Vietnam's visible appeal arises from the 50 years

Vietnam\'s visible appeal arises from the 50 years As the rain begins to fall hard outside the small grimy restaurant located down a small side alley in Hanoi\'s Old Quarter, elderly women selling cheap plastic coats hit the streets, hoping to benefit from those tourists with only a day or two to see the delights of the Vietnamese capital and who are therefore in a hurry to keep moving.
The rest of us, mostly residents and a few relaxed visitors, simply smile knowingly at one another, order another iced coffee and wait out the obligatory 30 minutes or so that the daily afternoon showers last in Hanoi, before returning to the now-glistening streets and beautiful architecture of one of the most atmospheric capitals in Asia.
Hanoi may have been the on-again, off-again capital of Vietnam since 1010 AD, but much of its visible appeal arises from the 50 years it was the capital of French Indochina in the first half of the 20th century and the blending of cultures that occurred at that time.
The French may have left a bitter legacy of heavy-handed governance and an unwillingness to see the end of their colonial rule without bloodshed, but in cultural terms the French gifted the country - especially Hanoi - with striking churches and cathedrals, a vibrant cafe scene and many of the buildings that to this day form the city\'s Old Quarter - a warren of 36 alleyways that is the heart of Hanoi life and has been since the 13th century. Some of the older buildings remain as they were, including some exquisite guildhalls and temples, but many others were either replaced by French-style buildings or have been strongly influenced in subsequent renovations. Despite this, the layout of the old streets remains. The old quarter also boasts the city\'s largest market, the temples and major sites that draw in the tourists, and is where the seeds of the communist takeover took root in the guilds and education institutes where new ideas sprouted.Once humming with the trades the streets are named after - Blacksmith Street (Lo Ren), Incense Street (Hang Huong), Pickled Fish Street (Hang Mam) and Coffin Street (Lo Su) to name but a few, the cramped winding alleyways are where residents and tourists alike stroll around in the evening, relax with friends and dine on fresh Vietnamese food, all among streets towered over by the peeling paint of the pillars and window frames of French villas.
I had spent a year living in Ho Chi Minh City, Hanoi\'s southern neighbour, early in the last decade and ever since have regularly engaged in inane but heated debates over which of the two cities is better. While Ho Chi Minh would edge it on vibrancy and development, my Hanoi friends would always pull out their ace - the glorious Old Quarter - to seal their argument.
Arriving by bus from the Chinese border for what would be a four-day stay, the crowded and tightly packed streets of outer Hanoi are abuzz as I enter the city in the early afternoon sun, reminding me of what I used to love about the country, while the roads themselves swarm with motorbikes and scooters that were - and still are - a ubiquitous feature of most Vietnamese cities. Crossing roads in Hanoi is a form of art and more than once I tense up as a motorbike passes just inches in front of me.
Part of Hanoi\'s charm is in this sense of disorder, and in the pockets of calm you stumble across all over the capital, where the sound of traffic is just a distant murmur. Walking down Hang Bac (Silversmith Street) in the centre of the Old Quarter on my first day, I detour down many of these out-of-the-way lanes, where curious locals glance up as I step around the piles of vegetables strewn in front of them that they are peeling for nearby restaurants. Others smile and take a drag of their cigarettes, waiting patiently for the foreigner to go by.